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Interview with Peter Coleborn & Jan Edwards

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Today it’s my pleasure to welcome Peter Coleborn and Jan Edwards to talk about their new anthology The Alchemy Press Book of Horrors, the joys of editing, horror and short fiction!

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Today sees the launch of your latest anthology The Alchemy Press Book of Horrors – what inspired you to choose the theme and what horrors can we look forward to seeing in it?

Peter: Besides the very general theme ‘horror’ the book has no theme. I feel that stories in themed anthologies, especially tightly themed ones, can become too similar. I enjoy variety. I enjoy coming across something unexpected. In this I mirror the views expressed by Mark Morris, editor of the wonderful New Fears series.

I use the word ‘horror’ as a wide catch-all net. What you will find between the covers is 25 well-written yarns that will hopefully chill you, or at the least make you go: wow, I didn’t expect that. Weird stories. Creature features. There are stories that may have been at home in The Pan Book of Horror Stories, perhaps in New Terrors (edited by Ramsey Campbell), or in one of Stephen Jones & David Sutton’s anthologies. Other anthologies are available.

Jan: Taken at its roots the term ‘horror’ is a wonderfully broad remit that encompasses everything from Hammer Films to Grimms’ Tales. Horrors gave writers scope to write about anything and everything – and they did.

Tightly themed anthologies can become frustrating. After the first six tales about two-tailed dogs in a bone factory any sense of tension and wonder has pretty much worn away.  Of course the answer is not to read a tightly themed anthology at one sitting.

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With the APB of Horrors #2 opening for submissions in January 2019, what are your long term aims for the series and are there any particular types of tale you’d like to see submitted for Volume Two?

Peter: All being well – health and wealth wise – I’d like to see this become an annual event. I’d like to see a few more ghost / supernatural stories next time, otherwise more of the same – good quality horror fiction. I rather not see the usual horror tropes unless handled well / differently.

May I also mention artwork? Well, I am! One of the things I liked about the British Fantasy Society days was that there were so many pen & ink illustrations. I wanted to emulate that in Horrors so I managed to get 26 original Jim Pitts drawings for volume one – and all being well I hope to do the same for volume two onwards. The illustrations, I think, add a little class to the book.

Jan: I can’t add much more to the points Peter has raised. Yes, a few more ghost stories are always welcome. I am a fan of the good spooky tale – and folk horror, naturally – that uses imagination without resorting to ‘jolt’ tricks. Whether supernatural horror or not, anyone submitting work will always do well to avoid the ‘tropes of fashion’, for want of a better term, unless they have a genuinely different twist to perform.

What are the qualities of a good short horror story for you? What horror tropes turn you off?

Peter: Well-written tales are a must, otherwise it is difficult to describe the quality of a good story. If you can be precise about definitions then the story may lose that sense of wonder that grabs you. Generally, I like stories about people in strange or weird situations. I’m not a fan of people becoming victims for no reason whatsoever except to end them in particularly gruesome ways. Bloodshed is fine, but keep it in check. Subtlety is good!

Jan: As with the previous question, it is the things that go bump in the night that most people find scarier. The mad axemen will make you sweat a little yet they can usually be fought off or outwitted. We are hardwired to be far more afraid of the unknown, those things we cannot see or touch. The horror is always in the anticipation. Yes, there is horror in the more visceral but that relies far more on revulsion than genuine fear in many cases.

Who are your favourite short horror authors, and what short horror stories do you keep coming back to? 

Peter: I find this sort of question difficult to answer, to be truthful. I enjoy a range of short stories from a range of writers. Of those no longer with us, I would select Karl Edward Wagner as one of my favourites, as well as Theodore Sturgeon, Ray Bradbury, Harlan Ellison, etc… As for living authors: I rather not say because I’m bound to miss someone out.

Jan: I always hate these favourite or most influential writer questions. Partly for the reasons Peter has given but also because the moment I have delivered my choice I come up with a half dozen others. So not going to name names because they know who they are. But if pushed then I’d have to say that Daphne du Maurier will always take some beating in the short story stakes.

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What would you say is the appeal of short fiction anthologies for the reader? What anthologies would you recommend new readers try? 

Peter: Read Alchemy Press anthologies (and collections)!

I’ve mentioned a few earlier. In the UK I would always recommend you seek out any anthology edited or co-edited by Stephen Jones. Jones and David Sutton probably taught me more about anthologies than almost any other editor. Mark Morris’s New Fears series promises to be a top-notch home of quality horror – long may it exist. There are also several anthologies in the UK small press arena that are worth checking out.

In the US, go for Ellen Datlow anthologies. If you can find them, try Dark Forces edited by Kirby McCauley, Prime Evil edited by Douglas Winter, Masques edited by J N Williamson, Unknown Worlds edited by Stanley Schmidt and Martin Greenberg (this last is more weird fiction rather than horror).

Also, read the best of annuals, those currently edited by Stephen Jones, Ellen Datlow, Paula Guran, Johnny Mains. And dig around second-hand bookshops for the best of series edited by Karl Edward Wagner and Gerald Page.

And of course, read the magazines such as Black Static.

Jan: For me at least, though the novel allows scope for building tension and ramping up the chills, horror often works best in the brevity of the short form. For example I have always found Stephen King’s short fiction far more thought provoking than the majority of his novels. It brings us back to the unknown. The less you know, or is explained to you, the more scope your brain has to speculate.

What would I recommend? The best of annuals are a showcase for the best in the field selected from the plethora of anthologies and collections produced every year. Peter has listed most of the better known in those categories but there are always others. The great thing about them is finding authors who are new to you and appeal to your tastes. Like Forest Gump’s infamous box of chocolates, ‘you never know what you’re going to get.’

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You’ve edited a variety of publications for the British Fantasy Society as well as your work for the Alchemy Press, Penkhull Press (and Jan’s work for Fox Spirit Books) – how did you get started with editing short fiction? When and how did you realise it was something you wanted to do, and who were/are your editor influences?

Peter: I first edited magazines for the British Fantasy Society, including Winter Chills (aka Chills from number 5), which received some favourable comments from Ellen Datlow. That started me off. In the late 1990s I felt that the BFS wasn’t able to do the kind of thing I was after so I started The Alchemy Press. The first publication was a slim collection of Damian Paladin stories by Mike Chinn. (I should say here that Mike has been a huge help with all this editing and publishing lark – thanks Mike.) The next books included story and poetry collections by Kim Newman and Jo Fletcher. The first anthology Alchemy did was the loosely themed Beneath the Ground edited by Joel Lane (RIP, Joel. He would’ve been 55 this year), then Swords Against the Millennium edited and co-published by Mike Chinn/Saladoth Productions.

After a break of a few years – blame the BFS and FantasyCon – I decided to launch the press again with two anthologies, The Alchemy Press Book of Ancient Wonders (edited by Jan and Jenny Barber) and The Alchemy Press Book of Pulp Heroes (edited by Mike Chinn). Then there were several other anthologies and collections. I usually did the backroom stuff – final edits and design work.

The first Alchemy Press book with my name on the cover was Something Remains in 2016, a tribute to Joel Lane – I’m very humbled to have produced this book. And now we have The Alchemy Press Book of Horrors due on 1st November (and launched at FantasyCon in October).

Jan: Like Peter, I started small, editing anthologies for writers’ groups and graduating through journals such as Dark Horizons up to open call anthologies. So yes, the BFS has a lot to answer for! Dark Horizons, and its later siblings, spawned many an anthologist and championed many a writer in its time.

I teamed up with Jenny Barber for both Alchemy Press and Fox Spirit to produce some dark fantasy anthologies. When we first started planning Ancient Wonders almost all anthologies being produced in the UK at the time were more traditional horror. We wanted to produce volumes that were dealt with the themes of fantasy and folklore. From that came the two Alchemy Urban Mythics and Fox’s Wicked Women.

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Editing The Alchemy Press Book of Horror with Peter is a return to editing after a little break, mainly because I have been more heavily involved in writing crime fiction in various forms.

And finally… what are you up to next? 

Peter: Besides The Alchemy Press Book of Horrors, I’m also publishing this year the second collection by Bryn Fortey, Compromising the Truth. Bryn’s first collection, Merry-Go-Round and Other Words was also published by us, a few years back. Bryn is a wonderful gent who had stories published in The Pan Book of Horror Stories – so we’re going full circle in a way.

I sent Bryn a mock up of the cover, based on one of my photos, which he liked so much he wrote a new and brilliant story for it, ‘Ain’t that the Truth.’

Otherwise, I’ve decided that I will keep Alchemy Press low key and publish just two titles a year, one anthology (Horrors 2, obviously) and a collection (which is hush hush at the moment). As you can tell, I am a short story fan.

The Penkhull Press is a non-fantasy/horror imprint formed by a few local writers, a sort of co-operative. Penkhull has published novels and short story collections, for which I seem to end up doing all that backroom stuff – but that’s okay, that’s fine. One of our books, Winter Downs by Jan, a World War Two crime drama, won this year’s Arnold Bennett Book Prize, which is fabulous news.

Jan: I have three more WW2 crime novels in the pipeline, and intend to get my urban fantasy trilogy out at some point (which is also crime in its way, but with supernatural elements thrown in).

I also have my novella, ‘A Small Thing for Yolanda’ just out in the French folk horror anthology Into the Night Eternal and have several short stories in gestation that are intended for crime anthologies, and at some point I will finish my ‘Captain Georgi’ cosmic horror collection, though as always its finding the time!

Thank you for joining us Peter & Jan!

The Alchemy Press Book of Horrors is available in ebook and paperback formats from Amazon and all good retailers!

Peter Coleborn created the award-winning Alchemy Press in the late 1990s and has since (co-)published a range of anthologies and collections, including The Alchemy Press Books of Pulp Heroes and Urban Mythic, and collections by John Grant, Anne Nicholls, Marion Pitman and others. He has edited various publications for the British Fantasy Society (including Winter Chills/Chills and Dark Horizons) and co-edited with Pauline E Dungate the Joel Lane tribute anthology Something Remains in 2016. Besides editing and publishing he mucks around with Photoshop a lot, as you can tell by the cover artwork.
www.alchemypress.co.uk

Jan Edwards has edited been anthologies for various presses, notably Fox Spirit, The Alchemy Press and the BFS for over twenty years, including: (co-edited with Jenny Barber) Wicked Women, Alchemy Press Book of Ancient Wonders and APBO Urban Mythic 1&2. The Alchemy Press book of Horrors (co-edited with Peter Coleborn) is just released. Several of her anthologies have been shortlisted for awards.

Jan is also a writer of short fiction, which can be found in many crime, horror and fantasy anthologies. Her fiction has appeared in books as diverse as The Mammoth Book of Moriarty, Terror Tales of the Deep and the Dr Who DVD and anthology Daemons of Devil’s End; some of those tales have been collected into: Leinster Gardens and Other Subtleties and Fables and Fabrications. Her supernatural crime novella ‘A Small Thing for Yolanda’ appears this year in Into The Night Eternal: Tales of French Folk Horror.
Her novels include Sussex Tales (winner of Winchester Slim Volume award) and more recently, Winter Downs: Bunch Courtney book #1 (crime novel; winner of the Arnold Bennett Book Prize). In Her Defence: Bunch Courtney #2 is due out late in 2018. Jan is also a recipient of a BFA Karl Edward Wagner award.
Blogsite: http://janedwardsblog.wordpress.com/ Twitter: @jancoledwards

 

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Winter Downs: Interview with Jan Edwards

Winter Downs Jan Edwards front coverAnnnnnd, welcome to the next stop in the Winter Downs Blog Tour, celebrating the launch of the ever excellent Jan Edwards’ new book – Winter Downs – a thrilling ride of 1940’s crime fic starring the kick ass Bunch Courtney.   I interrogated Jan to find out more…

Winter Downs is the first in your Bunch Courtney Investigates series – who is Bunch and what can we expect from future books in the series?

Bunch Courtney is a well connected young woman who is set adrift  by the changes that the coming of war has imposed on her, and knows that the life she was brought up to lead will never return. When she stumbles on a murder she discovers a talent and taste for sleuthing as she interacts with the local police force; and with Chief Inspector Wright in particular.

Bunch Courtney Investigates is an open ended series with the next two already mapped out in note form and ideas for at least two more. I am hoping people will love Bunch as much as I do so that I can see her through to D-Day at the very least. After that? It could be fun to take her into peacetime; maybe as a private investigator.

How difficult or easy did you find it to get the flavour of the era, were there any research holes you fell into, and did you find any elements of women’s life in the era that resonated with you?

I do like writing period pieces. I’ve written for a number of Sherlock Holmes anthologies and have a series of diesel punk/cosmic horror tales staged in the early 1930’s and starring Captain Georgianna Forsythe.

Immersing myself in the language and social mores can be a lot of fun, and the research required is jam on the top. I do get lost in seeking out small details. I can spend hours, even days, looking for one tiny fact. It is amazing what comes to light!

The lives of woman of the 20th century are so very different to the 21st.  Bunch, for example, finds herself controlling the farm as the men were gradually absorbed into the war machine, even as early in the war as January 1940, yet still treated as a ‘girl’ by many of the men in traditional positions of power; police, the military, farm manager, even her own family.

I worked for 20 years as a Master Locksmith – the first female ‘practising Master’ working in the UK. I know first hand the frustration of having men (and sometimes women)  peer around me as they ask to speak with the Locksmith, because they just ‘know’ it couldn’t possibly be me… I never whacked any of them with a spanner, though the temptation was there – everyday!

You and fellow writer Misha Herwin regularly appear on 6Towns radio – how did that start, what things do you talk about and where and when can listeners find you?

I think it began with a general call to local writers who may want to guest on the Curtain Call show on 6 Towns Radio  http://www.6townstv.com/   And because we had a series of events to push it somehow morphed into a semi-regular gig. We talk about writing events and our own fiction going into print as well as writing in general.

How has your radio experience impacted your public speaking ability?

I guess it has made me less self-conscious about public speaking, though talking in a studio with just the show hosts present is rather different to sitting in front of a live audience.

You and Misha also regularly organise the 6×6 Writers Café – could you tell us how you started, what it is, where, when, and how people can find out more and/or get involved.

6X6 came about because we were trying to get reading gigs for new local writers but because of library cut backs the slots available were getting very scarce. Poetry does okay for events  but prose not so much. We had heard of a regular event in Birmingham that gives writers a set time to strut their stuff and decided Stoke on Trent could use something similar – 6 writers – 6 minutes.

It’s a quarterly event at City Central Library, Hanley, Stoke on Trent. To take part people can go to the 6X6 blog at https://6x6writingcafe.wordpress.com/ and follow the guidelines!

Having been a long time organiser of, and attendee at, Fantasycon and other events, how important are festivals and conventions to the writer at the beginning of the career, and how does this change as their career progresses?

Conventions, conferences, lit, festivals  and events such as 6X6 or Fantasycon are all great opportunities for writers to both network with industry professionals and to find a readership. It’s essential for those starting out and remains true for writers at almost every stage of their career. Yes, when someone reaches the top echelons they will be the main attraction for readings and signings and guesting at conventions etc. but they will still be out there. Not that these things should be seen as purely business, though that is an essential part of the process. I’ve made lifelong friends from going to cons either as organiser, bookseller, author or reader. They are a fun as well as productive part of being a writer.

As a member of the Authors Electric site, how important is being a part of online writer communities and what ones do you recommend?

Blogs such as Authors Electric provide support and encouragement for writers and help to connect them with readers. Having an online presence is an essential part of being an author and popping up in regular slots helps in getting a wider reach  for your profile.

What would I recommend? Authors Electric of course 🙂

You’re in a crime story – are you the detective, the victim, the villain, the red herring or the plucky sidekick?

Detective naturally. Though being the villain could be fun, and the Watson personna has the advantage of being an observer of the action at close quarters.

What are you up to next?

I am on the scripting team for White Witch of Devil’s End, a Dr Who world DVD out this autumn – along with a book of the film. It concerns the life of Olive – the witch who appeared in the Dr Who story The Daemons from the Pertwee Who era.

I have a couple of other projects, but none I can talk about right now!

I should be at Fantasycon in the autumn, and had to make the Theakston Crime festival, but moving house and launching Winter Downs has been more than enough to deal with 🙂

But Winter Downs is the big one this year!  Of course there is Bunch Courtney Investigates: Book Two coming next spring (or sooner).

Thank you for talking to us Jan!

Jan ps 1Jan Edwards is a Sussex-born writer now living in the West Midlands with her husband and obligatory cats. She was a Master Locksmith for 20 years but also tried her hand at bookselling, microfiche photography, livery stable work, motorcycle sales and market gardening. She is a practising Reiki Master. She won a Winchester Slim Volume prize and her short fiction can be found in crime, horror and fantasy anthologies in UK, US and Europe; including The Mammoth Book of Dracula and The Mammoth Book of Moriarty. Jan edits anthologies for The Alchemy Press and Fox Spirit Books, and has written for Dr Who spinoffs with Reel Time Pictures.

Winter Downs is published by Penkhull Press and is available in paperback and kindle editions from Amazon.

Don’t forget to check out the next stops on the Winter Downs blog tour:

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Wicked Women: Jan’s Fab Five

Today we’re joined by Wicked Women co-editor Jan Edwards who’s here to tell us about her five (ish) favourite fictional wicked women…

Jan in Hat 001Finding five wicked women that I truly admired was trickier than I first thought. First problem is to define wicked. The OED quotes 1/ vile or morally wrong or 2/ Playfully mischievous. It is a broad canvas but it does cut out most of the obvious choices when it comes to famous women of note. Sappho (c 570 BC) one of the first published female writers. Ada Lovelace (1815–1852) mathematician widely considered to have written the first computer programme. Lillian Bland (1878–1971) Journalist and aviator who in 1910 built her own plane. Murasaki Shikibu said to have written the first novel The Tale of Genji somewhere around 990. Boudicca, (1st Century AD) famed leader of the Britons. Anne Frank, Sojourney Truth, Cleopatra, Mary Wollstonecraft, Emmeline Pankhurst, Marie Stopes, Apra Behn – the list goes on. Most could hardly be termed wicked by either definition. Because of that I chose favourite fictional characters from the many that inhabit my bookshelves and DVD racks.

1/Willow-Rosenberg-Buffy-Vampire-SlayerWillow Rosenthal: Willow is perhaps the most obvious wicked woman in regard to fantasy fiction. She is funny, quirky, geeky and eager to investigate, though she also has a very healthy regard for her own safety; something frequently missing with fictional fighters of evil. When Willow turned to the dark side she ticked both boxes in the wicked definitions. She sashays around Sunnydale safe in the knowledge that there was not a lot out there that could beat her in a showdown. She is truly mad, bad and very dangerous to know, yet her ‘evil’ side comes from wanting to be a part of Buffy’s supernatural team. Vamp Willow is another matter. ‘Bored now!’ is one of those wicked women catch phrases loaded with connotations that comes right up there with ‘come up and see me’. The Buffyverse is awash with strong female characters: Buffy, Faith, Drusilla, Anya, Cordelia and Dawn to name but a few, and they went on to spawn a million more wicked women in countless fantasy books and TV series’ but I shall let Willow represent them all. For my money Willow Rosenthal in her various guises will always be in the top ten wicked women.

series5riversong2/ River Song: River is a very different proposition and one of my top Who girls of all time. A character who provokes strong emotions but then she is a very strong woman. River sails along the very edges of legality, frequently dipping onto the wicked side with great relish and style. She is both wicked in the sense of big bad and also wicked in her gamine personality. To attempt to analyse all of her quirks and contradictions would be an essay all of its own. She has many guises. Steampunk hero; Noir gumshoe; Femme fatale spy; criminal mistress-mind. River Song is a true wicked woman.

3/ The Bene Gesserit: Okay I am cheating by including an entire political/religious order but within the confines of Herbert’s Dune world the Bene Gesserit ruled. Defined as ‘an exclusive sisterhood whose members train their bodies and minds through years of physical and mental conditioning to obtain superhuman powers and abilities that can seem magical to outsiders.’ The sisters were (to lapse into Labyrinth-speak) the babes with the power. They use anything at their disposal to attain their goals; sex, blackmail, fear, magic, drugs; whatever it takes to bend people to their will. The whole of the Dune saga revolves around them. From House Atreides to House Harkonnen; the Fremen to the Space Guild, these woman play the long game as they shift pawns in every major house in that world. They are about as wicked as it comes.

4/ Emma Woodhouse: Jane Austen’s eponymous heroine was controversial character in her day. Her existence is limited to the village by her monstrously selfish father, yet still does her own thing; no mean feat for any woman negotiating the male dominated society of Georgian England. She is young, rich, intelligent and as mind bogglingly arrogant as her parent. Yet she IS trapped within that small pool, so she contents herself with playing with her neighbours as a child plays with dolls, sending ripples through every layer of society. As with Willow and River her rise to infamy is unintentional. She arranges the lives of people she views as her inferiors because, as she sees it, she is superior and thus has the right. Like Willow and more especially, River, she is just a girl who wants to have fun, and like them she truly believes she is doing it for her victims’ good; whether they want it or not.

5/ Rebecca de Winter: Feisty is an overused word these days but Rebecca de Winter was that if nothing else. She is portrayed through various other characters as a renowned beauty, perfect hostess and compulsive liar. She torments her husband Maxim with non-stop affairs, and when she discovers she is dying of cancer, goads him into killing her. The second Mrs de Winter calls her mentally unstable and sadistic and that could be a fair assessment. We learn about Rebecca through the memories of others, yet she is there throughout, lurking on every page. Daphne Du Maurier’s skill in bringing to life a gloriously wicked woman whom the reader never meets is superb. For me at least Rebecca de Winter as one of the greatest wicked women (in the ‘mad and bad’ sense) ever to stalk the shelves of fiction.

6/ Captain Nancy Blackett: Yes I am going to cheat again and add a sixth name, because this list really would not be complete without her. Ruth Blackett, aka Captain Nancy, appeared in nine of the twelve Swallows and Amazons books by Arthur Ransome. Like Emma Woodhouse, Nancy is a controversial figure of her time. Unlike most female characters of middle class roots she is a headstrong tomboy and lacks the usual (for the time) dominant male influences beyond the mischievous ‘Uncle (Captain Flint) Jim’. Captain Nancy defers to no one and drags the more traditional Walker into her make-believe world of pirates and explorers, supremely confident in her right to lead. Out of all my wicked women of fiction, Captain Nancy is my first and favourite. As a child I wanted to be her – as a writer I strive to create a character with such appeal.

So there they are. My (6) wicked women. Given the space I could list a top 100!

Thank you for joining us Jan!

Jan Edwards was born in Sussex and now lives in the Staffs Moorlands with 3 cats and husband Peter Coleborn.  Jan is a writer of fiction, freelance editor, Master Practitioner in both Usui and Celtic Reiki and Meditational Healer and founder member of the Renegade Writers group.  You can find her at her website https://janedwardsblog.wordpress.com or on twitter at: @jancoledwards.

Leinster Gardens and Other Subtleties can be found in paperback or ebook editions from Amazon.

Interview with Jan Edwards

Jan in Hat 001Jan Edwards is a woman of many talents – writer, editor, publisher, bookseller, Reiki master, tarot reader, quilter, motorbike chick, Britain’s first female master locksmith, gardener, cook, potter and sculptor…

So, first let’s talk about Jan the writer. When did you first start writing and what genres draw you.
It always sounds like such a cliché to say I have always written, for as long as I can remember, but I suspect this is quite true with the majority of writers. I amused the family no end by talking in the third person for a week or more when I was around seven years old, because I wanted to see what I would sound like as a book and at secondary school I filled many school notebooks with fiction (mostly during lesson times). I wrote primarily for myself for years and only really started thinking about writing for publication in my late thirties when the family and business needed less of my time.

What draws me? I have always been fascinated by folklore, myths and legends, especially those that give rise to local customs, so fantasy was a natural path. A great deal of my short fiction has been dark fantasy, urban fantasy and horror and many of those stories have been drawn directly from those sources. Sussex Tales, my mainstream novel, also has a lean toward those local customs with the added bonus of country wine recipes and rural herb lore.  Currently I am writing a crime novel set in WW2 which is more historical than mythical –though I still find myself caught up in the same levels of research. As you can see there is no one genre that draws me; except for a recurring love of those old legends.

Which authors have inspired you in these genres?
This is the kind of question I always hate answering mainly because my influences and inspirations are so wide. Jane Austen and Daphne Du Maurier have always been huge influences, as have Arthur Conan Doyle, Joan Aitken, Michael Moorcock, Robert Holdstock and so many more. Ask me tomorrow and I will find a half dozen others.

When it comes to more recent authors it is even harder to choose because we all read so many new titles by so many people that to name one or two above the rest would be unfair to the dozens of other equally spiffing writers. I could list all of the recent and forthcoming Alchemy Press authors such as Pete Atkins, Jessica Amanda Salmonson, Bryn Fortey, Mike Chinn, Anne Nichols, Adrian Cole, Pauline Dungate, James Brogden, Paul Kane, Marion Pitman, David Sutton,  John Grant et al – or the Penkhull Press writers; Misha Herwin, Jem Shaw and Malcolm Havard – but that would be unfair to all of the other writers that not yet published by either press!

Recently read books that I’ve enjoyed most especially (who are not Alchemy Press writers – all of whom are fab!) have been by (in no special order) Jo Walton, Joanne Harris, Jim Butcher, Lou Morgan and Paul Finch. There are others of course but these are the ones that have stuck with me, which is always a good sign.

Have you ever been tempted to retell Pride and Prejudice with a genre slant? 😉
It has crossed my mind, though it has been done so many times already that I am not sure it would be a project people would want to see. A regency urban fantasy might be quite fun to do if I got my act together. Elizabeth Bennett is one of the greatest characters in literature. She could be parachuted into almost any setting and still work. I suspect she has been paid homage (and occasionally pastiched) by many, many, writers – albeit under different names.

leinster coverYou’ve just had your supernatural fiction collection Leinster Gardens and Other Subtleties published with The Alchemy Press. Tell us a little more about that.
Leinster Gardens and Other Subtleties  (to paraphrase) is exactly what it says on the cover. A collection of supernatural fiction (in paper and kindle formats). All but one of the stories included have been previously published, and some of the stories had a limited audience on first publication it seemed like a good idea to give them a second airing. The single original story in there is not strictly speaking new as it was accepted for Twisted Tongue magazine which folded before my story was published. They are all supernatural in origin, either traditional ghost stories or tales that revolve around a spirit of a kind. I am not a writer of visceral horror, but rather (I hope) the sort that raises an uneasy sensation in the back of the neck when you are walking home in the dark!

You’ve got another collection – Fables and Fabulations – coming out soon. When, with whom and is there a particular theme to it?
Fables and Fabulations is coming out very soon as a ‘Penkhull Slim’ volume with the Penkhull Press. Again these are all previously published stories gathered together in a single volume, but unlike Leinster Gardens and Other Subtleties there is no particular theme beyond fantasy in its broadest sense. Fables and Fabulations opens with the vampire tale ‘A Taste of Culture, (first published in the Mammoth Book of Dracula and ends with ‘Winter Eve’, (from Ethereal Tales #9) which is an urban fantasy on Halloween and the water horses of legend galloping across Pontypridd common.  There is also are SF and horror tales in the mix so hopefully something for everyone.

Next, Jan the editor. You’ve edited multiple publications for the BFS, and co-edited for both The Alchemy Press and Fox Spirit Books. What’s the appeal of this side of publishing for you?
I do love the process of putting an anthology together. Sifting through the submissions and coming across those gems of short fiction is hard work but infinitely rewarding. The downside is in having to reject some really good stuff, either because it doesn’t fit or there is a similar story that you like just that little bit better. It is also a great way to network with other writers!

Do you have a dream anthology project you’d like to do or authors you’d like to work with in the future?
There are so many projects that would be fun to do. Something with a pagan theme perhaps – ‘Quarters and Cross Quarters’ (a working title) or maybe as an retired locksmith something like ‘Picking Over Locks’. That said I prefer not to have my themes too narrowly set. By the time you have read the sixth story about one-legged zombie hunters or Unicorns at Halloween even the best of fiction can lack originality.

Who would I like to work with? Hmm. Well the Alchemy Press books of Urban Mythic 1 &2 and Alchemy Press book of Ancient Wonders as well as the Fox Spirit book of Wicked Women all have some stellar line-ups. Top notch established writers and talented new arrivals. And of course with Alchemy Press I have worked with some fabulous writers already mentioned. So who left? I would love to get stories from Charles de Lint or Jim Butcher, Joanne Harris or Sarah Pinborough. But there are dozens, maybe hundreds of writers I could name and would hate to make a list and forget to include folks I admire but who slipped my mind just for a moment.

Do you have any recommendations for short fiction or anthologies by others?
Other than Alchemy Press authors you mean? See above. There are a zillion great writers out there I could name! The Terror Tales series of anthologies from Gray Friar Press are always worth reading. Sadly the Mammoth imprint is being phased out – I was thrilled to get a story accepted for one of their last titles Mammoth book of The Adventures of Moriarty. PS publishing put out some cracking anthologies. As a writer I enjoy an anthology that has variety. As an editor, though I use my e-reader as everyone else does, I still feel that books should be a thing of beauty, and I place a lot of value on production values. Layouts should please the eye and typos be few and far between. Most of all, with both hats on, they should entertain. I suspect only the editors like every story in a given anthology, but the good thing about them for a reader is that if there is one story in a volume that doesn’t grab you there is a good chance the next one will.

What are you up to next?
I have Fables and Fabulations coming soon, there are short stories due out in three anthologies in The Mammoth Book of the Adventures of Moriarty: The Secret Life of Sherlock Holmes’s Nemesis, Tales From The Lake: vol 2 and Terror Tales of the Ocean, and one other yet to be announced. I have a main stream novel due out with Penkhull Press in the spring and a crime novel and urban fantasy series in edit.

On ‘fun stuff’,  you can catch me in a panel at Fantasycon 2015 in Nottingham, where Alchemy Press will be selling books and launching Music in the Bone, a collection by Marion Pitman.   We shall also be at Novacon in Nottingham selling books, I shall be on  panel about editing and  we will be launching Anne Nicholls’s collection Music From the Fifth Planet; and then there is Sledgelit In Derby where we are selling books and hopefully soft launching the collection The Complete Weird Epistles of Penelope Pettiweather, Ghost Collector  by US writer Jessica Amanda Salmonson .

On other stuff Alchemy Press have multiple short listings in the British Fantasy Awards. Best Anthology: The Alchemy Press Book of Urban Mythic 2, edited by Jan Edwards and Jenny Barber;  Best Collection: Nick Nightmare Investigates, by Adrian Cole (co-published with Airgedlámh Publications);  Best Non-Fiction: Touchstones: Essays on the Fantastic, by John Howard and Best Independent Press: The Alchemy Press itself. (we won this award last year.

Fox Spirit are also in the running for multiple in the BFA shortlists with:  Best Anthology  with Tales of Eve; Best Fantasy Novel Breed by K.T. Davies; Best Short Story with ‘Change of Heart by Gaie Sebold which appears in our Wicked Women anthology (edited by Jenny Barber and Jan Edwards ) and finally for Best Independent Press

Penkhull Press and Renegade Writers have a story café at the Gladstone Museum in Stoke for Halloween.

I have no doubt other things will be slotted into the calendar before the new year. You can always catch up with what I am doing on my blog site.

Jan Edwards, thank you very much for joining us!

Jan Edwards was born in Sussex and now lives in the Staffs Moorlands with 3 cats and husband Peter Coleborn.  Jan is a writer of fiction, freelance editor, Master Practitioner in both Usui and Celtic Reiki and Meditational Healer and founder member of the Renegade Writers group.  You can find her at her website https://janedwardsblog.wordpress.com or on twitter at: @jancoledwards.

Leinster Gardens and Other Subtleties can be found in paperback or ebook editions from Amazon.

Urban Mythic at WFC!

UM cover A 008 dI may have mentioned a few times that Urban Mythic is launching at WFC in Brighton next weekend.   Because, dudes! We’re launching at WFC!  Friday 1st November!  Noon!  In Signing Alley!   (Along with Alchemy’s other titles – Pulp Heroes 2 & Astrologica: Stories of the Zodiac.)

But anyway, Urban Mythic, innit!  Lovely author people who will be floating around are: Jaine Fenn, Christopher Golden, Alison Littlewood, Anne Nicholls, Gaie Sebold, Adrian Tchaikovsky, Jonathan Oliver, Ian Whates & Ben Baldwin.

But my lovely people-folks, that’s not all.  Oh no!  Selected members of Team Urban Mythic will be doing a reading event on the Thursday!  From 2:00 – 2:30pm in Hall 8B.

And! Also! Our faaaabulous authors will be out and about doing other things at the WFC beast.  Here, for your author spotter notebook, is where else you can find them…

Artist:
Ben Baldwin
SAT 11:00 am-Noon – Launch – Newcon Press & Snowbooks (Hall 8/Signing Alley)
SAT 5:00-7:00 pm (Art Show)

Authors:
Jaine Fenn:
SAT 5:00-6:00 pm – Panel – Does SF Have a Future? (Cambridge)

Christopher Golden:     
THURS 4:00-5:00 pm – Panel – Strip Search (Oxford)
FRI 3:00-4:00 pm – Panel – Writing for the Franchise Market (Hall 4)
FRI 4:00-6:00 pm – Party – PS Publishing Bumper Book Launch (Regency)
SAT 3:00-3:30 pm – Reading – (Hall 8A)

Alison Littlewood:     
THURS 4:00-5:00 pm – Panel – Landscape of the Fantastic (Cambridge)
SAT Noon-1:00 pm – Panel – When the Fairies Come Out to Play (Cambridge)
SAT 3:00-4:00 pm – Launch – Constable & Robinson (Hall 8/Signing Alley)
SAT 11:00 pm-12:30 am – (mysterious unknown funky thing) (Chartwell)
SUN Noon-1:00 pm – Panel – How to Write that Second Book (Hall 4)

Anne Nicholls:
THURS 8:00 pm – Presentation – David Gemmell Awards (Oxford)
THURS 9:30 pm – Party/Launch – David Gemmell Awards Reception/Legends Signing (Regency)

Jonathan Oliver:  
SAT 4:00-5:00 pm – Panel – You Can’t Write, Edit an Anthology (Hall 4)
SUN 11:00 am-Noon – Launch – Solaris/Rebellion (Hall 8/Signing Alley)
And you’ll probably also find Jonathan at the Solaris table in the Dealer Room too!

Gaie Sebold:    
THURS 9:30 pm – Party/Launch – David Gemmell Awards Reception/Legends Signing (Regency)
FRI 4:00-5:00 pm – Panel – Broads with Swords (Cambridge)

Adrian Tchaikovsky:
THURS 9:30 pm – Party/Launch – David Gemmell Awards Reception/Legends Signing (Regency)
SAT 10:00-11:00 am – Panel – Best of All Possible Worlds (Cambridge)
SAT 5:00-5:30 pm – Reading (Hall 8A)
SUN 10:00-11:00 am – Launch – Fox Spirit Books (Hall 8/Signing Alley)

Ian Whates:     
THURS 9:30 pm – Party/Launch – David Gemmell Awards Reception/Legends Signing  (Regency)
FRI Noon-1:00 pm – Panel – Surviving as an Independent Press (Cambridge)
FRI 5:00-6:00 pm – Interview – Life Achievement Award: Tanith Lee (Oxford)
SUN 11:00 am-Noon – Launch – Solaris/Rebellion (Hall 8/Signing Alley)
And don’t forget to find Ian at the Newcon Press table in the Dealer Room!  And also in the Dealer Room, on the Solaris table signing stuff on SAT 3:30 – 4:30pm

And also!
Look for Alchemy Publisher Peter Coleborn in the Art Show SAT 5:00-7:00 pm
And Editor Jan Edwards wandering around having fun!
And Editor Jenny Barber (hello!) lurking behind the registration desk Weds – Sat.